We'll look at a simple example: switching between a main set of nearfields and a pair of domestic hi-fi speakers - but the more ambitious amongst you should note that the Control Room allows you to switch between surround sound, stereo and mono systems if you need to.
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To work with multiple monitoring systems, you could juggle lots of patch cords, or invest in a mixer or outboard monitor controller, but assuming you have a multi-output audio interface, Cubase's Control Room can plug the gap, allowing you to switch between systems with nothing more than a mouse click. If the pros need to do this in studios where cash has been splashed on creating the perfect listening environment, you can bet that it's even more essential in an average home or project studio, housed in a spare bedroom or a garage! Hardware Matters By checking your mix on these different speakers, the aim is to pick up problems that you miss on the others, and thus to produce a mix that works well on various playback systems. You might also see a mono grot-box, and there's probably a decent set of reference headphones on hand somewhere too. Look at the top-notch studios that are often featured in the pages of SOS, and you'll usually see more than one set of speakers in the control room. The Control Room Mixer can be used to switch between the different monitoring systems via the A and B selection buttons located at bottom right. For example, the bass might sound and feel amazing on your full-range monitors, but be inaudible on someone else's speakers.
What went wrong? One obvious answer that we often explore in these pages is that you need to improve your studio acoustics but it could also be that you need to check your mixes on different speaker setups. and experience the nastiest of surprises when it sounds horrible on their playback system. So you take a copy to your band-mate's house. Having spent lots of time lovingly crafting your mix to the point of perfection, it's a great feeling when you feel the hairs on your neck tingling. Artist monitor mixes are not the only trick up Control Room's sleeve, though, and this month we'll focus on how it can be used in place of a traditional console or hardware monitor controller to switch between multiple monitoring systems in your studio. In last month's Cubase workshop, we looked at how you can create up to four unique headphone monitor mixes for your recording musicians, using the Studio channels in Cubase 6's Control Room, and we saw how the ability to create these alternative monitor mixes can be just as useful for the solo musician. Configuring two sets of stereo monitors in the VST Connections dialogue.
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